![]() Now I'm not putting down Epiphones, this was an excellent guitar. But because of the look, I persevered with it. I couldn't get a decent tone out of it, everything sounded clunky. I'm not superstitious or any of that crap, but looking back, this guitar didn't want me to play it. When I played it, it felt like it was constantly wriggling out of my grip. Even the way it hung on the strap didn't feel right. I bought it purely on looks, I was in a shop my mate worked in and as I was leaving I saw it on a stand and bought it there and then, it was only £90!ĭidn't try it out or anything, total impulse buy.įrom day one it just never felt right. I bought it in 2000, it was made in 1998. One of the very few guitars I never got on with, and I do mean few. I've never regretted it, I really wish I'd bought it years ago. It was only after seeing a mate playing one, and talking to him about it, I decided to buy one. I only recently bought this guitar, I've been intrigued for years but was worried it might be a gimmick. In a live gigging situation this is the only guitar I need, I can switch from acoustic to electric, smooth jazz to dirty rock. I can't comment on the vintage tones, but I can say that the range available is amazing and probably makes this the most versatile guitar available. The technology works well, and the actual tone achieved, well the purist might quibble but they're still bloody good. The result of this is that you can change from one modelled guitar to another.
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